Good Manners

Giving to charity can be uplifting for impoverished communities and for the givers themselves, yet many of us seem to be unable to find time to make donating a habit. Luckily, the Polish Red Cross has devised a way to increase charitable donations without much effort. The Very Good Manners campaign uses restaurants’ placemats to inform diners that by laying their knife and fork like a cross on the plate, a donation will be added to their bill.

Very Good Manners


The 10 Rules of Brainstorming

Unlock the Creative Power of Brainstorming & Ideation Sessions

Learn how to approach brainstorming by following The 10 Rules of Brainstorming, part of The Mindset Method developed by Eric Kogelschatz at shark&minnow, a strategy and design consultancy.

 

What are the rules of brainstorming?

Brainstorming is an exploratory, conceptual and collaborative ideation method for organizations to generate innovative solutions for challenges. With this insight, how do organizations effectively conduct brainstorms and what are the rules for a successful brainstorming session?

  1. Understand the challenge to be brainstormed and be prepared with insights from the Company, Customer, Competition, Climate & Culture (i.e. The Mindset Method). Foundational research and insights will guide your ideation session and serve as the catalyst for creativity
  2. Focus on the challenge to maintain scope and scale
  3. Diverge in thinking by ideating alone in solitude, enabling a different path to think about the challenge
  4. Converge in thinking by ideating as a collaborative team
  5. Assemble a multidisciplinary team to foster creative friction and make the impossible possible, and go beyond the unknown
  6. Visualize ideas to improve perception and cognition. Whether it's sketching ideas or writing notes on Post-its, document all of your thoughts
  7. Generate concepts and scenarios to inspire creative-thinking and reveal new ideas - as many as possible
  8. Filtrate: Apply strategic filters based on The Mindset Method to encourage divergent thinking within the context of the challenge (e.g. For the Company, idea based on the mission statement, or for Customers, ideate based on specific personas, etc.)
  9. Amplify voices to ensure all ideas are heard, and judgment is silenced. As the adage goes, you never know where a good idea will come from, so hold criticism and evaluations until later
  10. Build on the ideas of all participants in the session - You never know where creativity will take you

 


The Future of Market Research

5 Innovations to Watch

The great David Ogilvy once said, “I notice increasing reluctance on the part of marketing executives to use judgment; they are coming to rely too much on research, and they use it as a drunkard uses a lamp post for support, rather than for illumination.” Those words from the great David Ogilvy are as true today as they were then.

Market research professionals, firms and organizations from IBM to Forrester Research are projecting the next trend in market research to be “making the transformation from research to insight.” If you ask me, that’s what market research has always been. An effective market researcher should be able to plan, conduct, analyze, and report actionable market insights and solutions to  clients.

If you can’t do that, you’re probably just sharing stats that you found on eMarketer. I’m not discrediting eMarketer, which is an excellent research provider, but I see many advertising and marketing professionals searching for and relying too much on the latest stat or trend instead of taking that data point and translating it to something of value. Does that trend even make sense for your client’s unique situation? Or are you simply trying to impress them? This is not a problem with the research provider, but the researcher himself.

Instead of projecting the next trend in market research to be “making the transformation from research to insight,” which should already be innately infused into the mantra of the market researcher, I project the future of market research to be the convergence, or mash-up, of emerging technologies and lateral creative thinking across industries with the discipline of market research.

We are all living in a perpetual state of beta. We all have the ability at any time, to analyze our past and present to optimize for the future. And for market researchers, now is the perfect time to seize the opportunity to innovate the industry in ways George Gallup could have never imagined. So borrow from other competitors, borrow from other industries, borrow from culture – use lateral creative thinking to expand your potential and create new methodologies to reveal new insights and solutions. Below are five examples of this approach, which will continue to grow, especially in 2012.

 

Mash-up: Neuromarketing

Lateral Thinking: The Convergence of Neuroscience & Market Research

What is it? How does it work?

  • It has been a goal of market research professionals to better understand motivations and behaviors for years. We are always asking ourselves why someone behaves the way they do. There are traditional quantitative and qualitative techniques that allow us to better understand this, but some insights are buried deep in the subconscious part of the brain that we can’t always reach. Neuromarketing takes the discipline of neuroscience and applies it to marketing, allowing us to gain insights into the subconscious.
  • Neuromarketing can be utilized via several different methodologies, each with a unique purpose:
    • Functional magnetic resonance imaging (fMRI): To measure increased brain activity by detecting changes in blood flow.
    • Steady state topography (SST): To measure increased brain activity by detecting brain electrical activity or neural processing speed. This is much more cost effective than fMRIs.
    • Electromyography (EMG): To measure electrical activity produced by skeletal muscles.
      • Facial Electromyography (EMG): To measure electrical activity produced by facial muscles.
    • Biometrics: To measure human body characteristics such as fingerprints, eyes, hands, vocal and facial patterns, and even DNA.
      • Galvanic skin response: To measure the electrical conductance or moisture levels of skin.
      • Eye Tracking: To monitor and track eye movement in order to denote the levels of attention on specific areas.

 

Lateral Thinking: The Convergence of Gaming & Market Research

Mash-up: Research Through Gaming (RTG)

What is it?

  • Creating market research environments infused with the dynamics and mechanics of gaming in order to monitor and analyze behavior.
  • RTG can be used on almost any analog or digital platform, whether it’s event marketing, Facebook or a mobile application. The goal is to create an environment with goals or achievements that the participant can earn, which encourages participation; and a metrics tracking suite that records all behavior, so that data can be analyzed following the study.

 

Lateral Thinking: The Convergence of Mobile Technology & Market Research

Mash-up: Mobile Technographic Research

What is it? How does it work?

  • As the adoption of mobile devices such as smartphones and tablets continues to increase and the technology that supports these devices is enhanced, market research professions will have the ability to go native, conduct research and report results in real-time. This can include smartphone and tablet surveys, texting surveys or mobile apps.
  • Who has used this?
    • At a previous agency, I conducted primary research for RIDGID, using multi-touch surveys on iPads.
  • How can I learn more?
    • Research survey apps for tablets and smartphones in the Apple App Store, Android Market, BlackBerry App World, etc.
    • Research gadgets such as microphones and camera lenses to enhance your mobile device as a research tool.

 

Lateral Thinking: The Convergence of Social Media & Market Research

Mash-up: Social Intelligence or Digital Anthropology

What is it? How does it work?

  • Every day we share our opinions, preferences and lives with people online via Facebook, Twitter and beyond. All of our passive data, or tweets, photos and videos, are archived online by the social networks to which we belong. Social media data is insanely valuable to marketers because it does not represent our intended behavior, but our overt behavior. Social media isn’t just word-of-mouth, but passive consumer behavior and consumption translated to consumer intelligence. However, before brands can act on this, they need access to this data in order to translate it into information that can improve their marketing strategies. Therefore, brands must enact listening platforms (e.g. community managers) and data mining tools (e.g. Radian6) to gain access to this data and harness the power of social media. Social intelligence can be used to develop new products, messaging platforms or define audience personas.

 

Lateral Thinking: The Convergence of Crowdsourcing & Market Research

Mash-up: Online Panels

What is it? How does it work?

  • People love to hate focus groups. I think every market research professional can agree that there are positives and negatives to conducting focus groups. But the ideal environment for a focus group fosters co: (community, collaboration, crowdsourcing and co-creation). When you take that ideal concept and apply it to a closed digital environment with incentives for passionate stewards of the brand, you will be inspired with consumer insights focused on innovation for your brand.

Lastly, while it is not one of the innovations listed above, I believe reporting should be a priority for all market research professionals. We must always understand how to translate data to information and reveal insights that are clear, concise and simple. We've been spending the past few years, creating and refining our infographics, data visualization applications and websites to better illustrate our strategic insights. These visual representations of our insights infuse energy into our research, bringing our insights to life in a compelling manner. While the future of market research is truly dependent on mashing-up emerging technologies and market research, it’s up to the individual to harness the potential and infuse strategy and creativity into the process.


Open Source: The Model Is About Branding

The traditional business model for companies is to create a product and/or provide a service to customers in order to receive payment and hopefully exceed operational costs to generate a profit. However, what happens when you are not creating a product or service, but instead ideas? How do you make a profit? How can you differentiate yourself from the competition when your product is perceived as a commodity? This is a common dilemma for companies that engage in Open Source design, development or distribution. As defined by the Open Source Initiative, open source is "a development method for software that harnesses the power of distributed peer review and transparency of process. The promise of open source is better quality, higher reliability, more flexibility, lower cost, and an end to predatory vendor lock-in." The benefits for open source are compelling and the idea of creating a community of the brightest minds to create something new is inspiring. This idea of sharing your creative wealth to accomplish great things is something the Creative Commons embraces.

The inherent drama of open source is that it's the collaboration of peers orchestrated in transparent manner, so competitors can easily observe all of your ideas and replicate. Most economists would argue that open source is not a sustainable business model; there are no tangible "widgets" or returns.

There are also skeptics within in the open source community that claim the open source business model is broken because value is in the collaboration, not in open source itself. However, the true return comes in an intangible form - your brand.

Case Study: Open Source Hardware

In a Wired article titled "Build It. Share It. Profit. Can Open Source Hardware Work?" Clive Thompson writes about a computer hardware company called Arduino.  All of their schematics, design files and software for the Arduino board are open source, so anyone can download them to use or modify and manufacture their own boards - and even sell if they want. Arduino's open source hardware has been used in everything from DIY MP3 players to mobile phone charges to humidity/temperature monitors for art museums. If Arduino utilizes an open source business model in which they essentially give intellectual property away, how do they make a profit? This is where I find this case study very interesting; it's all about the brand. As Thompson explains, there are two economic models for open source:

  1. Do not sell your product (i.e. hardware or software), but instead sell your expertise as the inventor
  2. Sell your product, but try to keep ahead of the competition

The Arduino team doesn't receive a profit when they actually develop boards; it's usually rolled back into the next production cycle. However, they do receive a "profit" when they act as consultants to companies using their open source hardware. Since the hardware is open source, the open source community collaborates to improve the hardware, so they essentially have free labor. And because Arduino is the creator of this hardware, they are at the epicenter of the community and learn about advancements before anyone, so they are the first one to the fight every time.

To analyze Arduino from a business model perspective, expertise is the service provided to customers. Further, operational costs are minimal, so a profitable return is likely. However, while their competitive advantages are notable, the differentiating factor is their brand - a value proposition providing dependability as a benefit to customers. This is due to their success and expertise as pioneers and leaders in the open source hardware community.

Case Study: Open Source Desktop Operating Systems

Open source technology is most notable in desktop and mobile operating systems, specifically Linux and Google Android respectively. Linux is a free Unix-type operating system originally created by Linus Torvalds with the assistance of the open source community. Developed under the GNU General Public License, the source code for Linux is freely available to everyone. Around the world, Linux has great brand recognition with developers, however little to none with consumers. This is likely due to the fact that Linux is used primarily in servers and computer hardware, which is not typically consumer facing. Also, historically the use of Linux in desktop and laptop computers has been quite low. Further, due to the lack of a strategic marketing plan, consumers are not aware of the Linux brand. However, due to the recent Ubuntu distribution and emergence and popularity of netbooks, the market share of Linux is growing. Currently, the market share for desktop operating systems is as follows:

  • Microsoft Windows: 87.90%
  • MAC: 9.73%
  • Linux: 1.02%
  • Apple iPhone: 0.55%
  • Apple iPod Touch: 0.15%
  • Java ME: 0.07%
  • Other: 0.32%

Ubuntu is leveraging the Linux brand and open source technology to create its own product (operating system) and brand (Ubuntu). This is somewhat similar to the co-branding efforts of Intel with many PC brands, but without the licensing fees. While Linux is gaining brand awareness due to the Ubuntu distribution, it is not actively promoting its own brand. Linux is taking an open source approach to branding itself - allowing other brands to help define its brand identity and image. I'm curious to see how this will affect the brand in the future. I would hypothesize that it will only augment the brand's image and further the popularity of open source. Currently, Linux is not following either of the two economic models presented earlier, however I wouldn't be surprised to see Linux start selling its expertise more as its market share continues to grow.

Case Study: Open Source Mobile Operating Systems

When Google's Android mobile operating system was released, specifically in the T-Mobile G1, many thought that this would be a strong competitive force against the Apple iPhone. However, this is an example of an open source initiative that resulted in negative outcomes and poor branding. According to a ReadWriteWeb article titled "Android Vulnerability So Dangerous, Owners Warned Not to Use Phone's Web Browser," written by Sarah Perez, in February 2009 a security researcher presented a new vulnerability in Google's Android mobile OS that allowed hackers to remotely take control of the phone's web browser and related processes. Hackers could gain access to saved credentials in the browser and browser history. It was recommended that Android users "avoid using the browser until a patch is released. If this is not possible, only visit trusted sites and only over the T-Mobile network (avoid WiFi). This issue with security was the main reason I took the G1 and all smartphones with the Android OS off my consideration list. This infiltration damaged the Google Android brand. This can be a problem with any open source technology because many people have access to the source code. However, this really isn't any different than a hacker can reverse engineering any product to bypass security - it's just that open source makes it more convenient. Either way, security systems must be built in to restrict vulnerability. Then Google experienced a problem with branding. According to a TechCrunch article titled "Should Google Be Paranoid About Losing The Android Name?" written by MG Siegler, a person applied for and was granted a trademark to the Android name back in 2002. Google tried to trademark the name in 2007 after the Android campaign, however it was rejected. Google tried again but was repeatedly denied and its trademark application was suspended. So any equity that Google may have built with the Android brand may be gone because they will need to completely rebrand their open source mobile operating system. Which may work to their advantage, so that they can redefine the brand and move on from all the security problems. Hopefully, Google Android will redeem the brand with the new Samsung Android smartphone out later this year and with the enhancements to the G1.

Case Study: Open Source Web Browsers

Mozilla was the first open source initiative that I ever heard about. The Mozilla Foundation began in 1998 to "create world-class open source software" and they did just that. They supported the open source community by embracing the pillars of open source: Openness, Innovation and Participation. Then in 2002, Mozilla released their first web browser, Mozilla 1.1. However, at this time Microsoft Internet Explorer had over 90% of the market share for internet browsers. Mozilla had their work cut out for them. However, in 2003, Mozilla created Firefox a world-class tool to experience the internet and began to experience tremendous growth.

The tipping point, however, was their grassroots approach to branding. Similar to the manner in which Firefox was created, Mozilla turned the marketing and advertising efforts over to its supporters by launching a campaign called "Spread Firefox." This website became the community hall for the discussion of marketing and advertising strategies. Among many things, supporters were encouraged to place "Get Firefox" buttons on their websites and blogs to help promote Firefox. Each participant would be rewarded referrer points as an incentive to be included among the top 250 referrers, a list that would be featured on the Spread Firefox website. Mozilla's community marketing guide includes categories such as:

  • Organizing and Attending Events
  • Public Speaking
  • Blogging, Tagging and Social Networking
  • Advertising Mozilla
  • Making T-Shirts and Other Items
  • Guerrilla Marketing Activities
  • Collecting Testimonials
  • Distributing Software
  • Promoting the Mozilla Mission
  • Collecting Press Clippings
  • Speaking to the Press
  • Requesting Sponsorship for a Project
  • Reporting Disreputable Behavior

The last category is very interesting, not only did Mozilla ask supports to help promote the product, but also police online activity and warn Mozilla of harmful behavior to their reputation. Even while Mozilla embraced the pillars of open source (openness, innovation and participation), they managed to control the message as well. From a branding perspective, this is something Mozilla has been relentless at. The name "Mozilla Firefox" is a registered trademark and along with the official Firefox logo, it may only be used when specific terms and conditions are followed. While the code for the Firefox browser is open source, there are usage restrictions placed on the code. If derivative works from the code are created, the browser must be rebranded - the new browser cannot leverage the brand name or logo. The strategic rationale is that Mozilla wants to guarantee a consistent user experience for anyone using the Mozilla Firefox web browser. This is something every brand hopes for. There has been some controversy over this, however this is also the reason why Mozilla Firefox has been so successful. Currently, Firefox is the #2 web browser on the market, with market share just over 20%. Below is the current market share for web browsers:

  • Microsoft Internet Explorer: 66.10%
  • Mozilla Firefox: 22.48%
  • Apple Safari: 8.21%
  • Google Chrome: 1.42%
  • Opera: 0.68%
  • Other: 1.11%

 

This isn't bad for a non-profit organization, especially when its competition is Microsoft, Apple and Google. A true branding effort that produced results. Mozilla even holds a Guinness World Record for the most software downloaded in 24 hours.  To analyze Mozilla from a non-profit business model perspective, they are fulfilling their mission statement: To make the internet better for everyone by embracing openness, innovation and opportunity.

Case Study: Open Source Politics

President Barack Obama's election campaign was seamless, engaging and effective. And he now continues this sound strategy during his presidency. At 12:01 p.m. on Tuesday, January 20th, just one minute after Barack Obama became the 44th President of the United States, www.whitehouse.gov was rebranded and the first entry to the White House blog was created: "Change has come to WhiteHouse.gov"

Macon Phillips, the Director of New Media for the White House, explained that like our new government, WhiteHouse.gov and the rest of the Administration's online programs will put citizens first. And that the initial new media efforts would center around three priorities:

  1. Communication
  2. Transparency
  3. Participation

It's interesting to note, that these three priorities reflect the philosophical pillars of open source and Creative Commons. Further, at the time I am writing these words, it's exactly 100 days after President Obama was sworn in. So it seems to be the perfect time to evaluate these priorities.

  1. Communication: Constant communication via an array of channels - the Administration has reached out to citizens online, TV, press, etc.
  2. Transparency: The activity on WhiteHouse.gov alone showcases the level of transparency. However, an interesting example of transparency is the creation of Recovery.gov, which was built on the Drupal platform - an open source platform with a reputation of innovation, stability and malleability. Further, the use of open source is significant because security is an obvious concern for the government. Lastly, due to the community surrounding this open source platform, as developers improve functionality, everyone will benefit.
  3. Participation: President Obama engaged with America and asked them to participate in their government with an initiative called "Open For Questions." Obama asked people to participate in the community-moderated online town hall by submitting questions about the economy utilizing similar voting functionality as Digg.com

Obama's brand was clearly defined before he became President, however on the day he entered the oval office not only did he rebrand WhiteHouse.gov, but he also rebranded what it meant to be President of United States of America. President Obama set the precedent for all future presidents: A transparent process that engages American citizens. And once you start the conversation, you cannot leave it. Future Presidents will be expected to work in a similar manner. Lastly, as the Administration integrates more technology (i.e. open source development) the methods and levels of engagement will advance and deepen respectively. Citizens will take an active role in government and expect that their involvement will make a difference. Similar to President Franklin D. Roosevelt and his fireside chats, Obama changed the way the President communicates with Americans. Whether you support Obama or not, the brand Obama has established thus far, is the differentiating factor between him and other presidents - Optimisim, Change, Transperancy and Community. It's also essential that you live up to your brand promises, otherwise your brand image will deteriorate. So, there is still a lot of work to be done. My only issue with the presidency campaign thus far are the multiple number of websites: WhiteHouse.gov, Recovery.gov, HealthCare.gov (previously HealthReform.gov), FinancialStability.gov, etc. Multiple destinations for the User can become confusing.


Creativity: The Essence of Change

 

 

 

A look at creativity in advertising, an economic recession and its affect on urban revitalization.

The great David Ogilvy once said, "It takes a big idea to attract the attention of consumers and get them to buy your product. Unless your advertising contains a big idea, it will pass like a ship in the night." The essence of our industry is in big ideas and creativity. These elements help to communicate information in a persuasive manner by captivating the attention and interest of individuals. Big ideas and creativity can create brand awareness and in some cases even change brand perception, preference or image. The crucial point here, from a holistic perspective, is that big ideas and creativity are the answer to change - whether in advertising or other industries. In the current state of our economy, we can only hope for change. We all want it, but how do we get there? The answer begins with creativity and big ideas.

The Creative Class and Urban Revitalization

For that past few years, I have been studying the work of Richard Florida. He is best known for his concept of The Creative Class, which identifies the essential elements required for urban revitalization: technology, talent and tolerance. Cities must invest in technology, nurture talent and be tolerant or accepting of diversity for creative people to come live, work and play. The growth and prosperity of a city is dependent on these attributes because they attract a unique group of people - The Creative Class. Of all the attributes and interests inherent in The Creative Class (art, music, community, philanthropy, creativity, open-minded, etc.), I am inspired by their unrelenting motivation the most. Florida explained this characteristic in a NPR “Weekend Edition” segment titled "Richard Florida, Tracking the Creative Class."

"One of the things I think most economist have missed, is that creative people are intrinsically motivated. And if you look at most people who work in the creative fields, they're not motivated simply by money, and for all of those economists who somehow believe you can spur national or regional growth by cutting taxes and using business incentives, the simple thing I would offer is, that isn't it surprising that the fastest growing places in the world are typically the highest cost, most expensive places, putting the total emphasis on cost and business incentive factors, mix is a much bigger picture, creative people want to be in  places where they can be themselves, do their work, be excited, be the person, complete person they want to be."

This message is powerful - our current economy is under attack, however creativity can motivate people to great measures. According to Florida, "Creativity is the new raw material;" now more than ever, we must utilize this raw material to our full potential. A wonderful example of creative people working collectively is the organization Planning For Good, which brings Account Planners and their friends together to solve problems for causes and non-profit. Planning For Good was created by Gareth KayAki Spicer and several friends. The project they focused on during the fourth quarter of 2008 was for a non-profit called The Idea Village, which launched a competition for entrepreneurs with ideas to retain young talent in New Orleans. When I first read about this project, I immediately thought of Richard Florida. Account Planners are "cultural creatives", they are members of The Creative Class and by taking part in this project they are helping to bring The Creative Class back to New Orleans.

Another example is Professor John Silver of Oxford University and his "2020 vision." One day when Silver was discussing optical lenses with a colleague, he wondered if it might be possible to adjust glasses without the need for expensive optometry equipment. And that's when the big idea came; he wanted to make a pair of glasses that could be fine tuned by the person wearing the glasses. This would allow everyone, especially those without sufficient funds, to have glasses. Due to Silver's curiosity and creativity, he was able to find an innovative solution by analyzing himself and having the selfless need to help others. Even with these inspirational examples of using creativity for the greater good, at times, it seems almost impossible to find inspiration or even motivation during the current economic recession, a time when we think everything is against us.

Creativity in a Recession

The birth of creativity: What creates or inspires creativity? Some argue that it's based on nature, nurture, context, random or an inspirational force. Regardless of whether you are right or left brained, it's reasonable to understand that all of these elements can affect creativity. I have always been interested by the idea of contextual relevancy. At Michigan State, one of my professors once said that you should study in the same lecture hall where your final exam would be held. The thought was that being in the same environment would allow you to easily access all of the information you learned during lecture and apply it to the exam. I applied this idea to one of my courses and aced the course. I wish I would have applied this to Calculus 2, but I didn't spend enough time in context to reap the rewards of contextual relevancy.

In Malcolm Gladwell's first book, The Tipping Point, he explains what the three rules of epidemics are: The Law of the Few (Connectors, Mavens, and Salesmen), The Stickiness Factor and The Power of Context. Gladwell's theory of context - that changing the smallest details of your environment can have great consequences on your actions - also applies to creativity. If you think about The Creative Class, you can understand why they love being surrounded by other creative people, it inspires them, they have to be stimulated with artistic and intellectual curiosity. This is just one of the reasons why you find large populations of The Creative Class in cities like Chicago, New York, Boston or San Francisco. As stated in a Next American City post titled "Your Brain, On Cities," living in a dense city can inspire innovative thinking (measured in number of patents, etc.). But what happens when your surroundings or context changes? This is ever so prevalent now. Does a recession negatively affect creativity? A Worldchanging post titled "Recession and Innovation" answers this question best:

"...it's often times like these – when things are at their worst – that potential for real and positive change is arguably at its very highest... Lean times can arguably beget innovation that is smarter than the innovation that springs from fatter times; innovations that are more practical and effectively more sustainable from both a social and financial standpoint."

Throughout America's history, you can find many examples of difficult times that forced Americans to be innovative. During the Great Depression nylon was created by one of Du Pont's scientists. Then during the 1969-1970 recession, Bill Hewlet of HP developed the first pocket calculator. Then during the dot-com bubble burst startups like JetBlue and Six Apart were created. At this same time, we also the revitalization of Apple with the iPod. According to a Wired article titled "Back to the Garage: How Economic Turmoil Breeds Innovation," now is the perfect time to be creative.

"...for the bravest inventors and entrepreneurs, conditions are ideal to pounce on a business opportunity. In periods of economic turmoil, people are hungry and work cheap, and entrenched companies often concentrate on in-house cost-cutting instead of exploring new markets, which can explode with the next turn of the business cycle... The most memorable crucible in modern history is, of course, the Great Depression.

Take this opportunity to go back to your garage and think different like Steve Jobs and create your Apple. When the financial industry crumbled at the end of last year, many Wall Street professionals had to start over again and find new careers. Many of these professionals began exploring careers they would have never considered, specifically creative careers in technology, science, medicine, arts, entertainment, etc. In a New York Times article titled "Former Bankers Turn to a Creative Plan B" Richard Florida was interviewed and he explained that this "gravitational pull away from Wall Street and toward more creative industries is part of a necessary economic recalibration... we are now realizing it is our human creativity that is our real capital."

Now is the time to analyze the world around you and find creative solutions to the problems that affect your world, and contribute to the renaissance of our world with your big ideas.

The Renaissance

One morning in the fall of 2004, I was listening to NPR "Morning Edition" on my way to work and heard about Richard Florida and The Creative Class for the first time in a segment titled "Cities Seek to Prosper by Luring Creative People." Florida's first book The Rise of the Creative Class had been out for a few years, however at this time he was formulating his second book, The Flight of the Creative Class. Listening to this segment today is even more profound than the first time.

"The rise of the creative economy is making inequity worst. What's happening is that, all these creative people are forcing themselves into about a dozen cities: New York, Washington, Chicago, San Francisco, Seattle, Austin and several more. Those cities are becoming growth meccas, they're pulling away from the rest of the country and creating a lot of inequality within them. At the same time, housing is becoming unaffordable, for virtually anyone who has a middle-income job. So the creative economy is not generating just wealth and productive capacity and all these great things, it's generating a whole heck of a lot of problems that no one in this country, whether they're a democrat or republican even wants to face up to."

When you read these words, you can't help but wonder if the flight of the creative class could have helped cause the current recession. While I understand that many things have contributed to the current state, I also acknowledge the significance of these words. I grew up in Michigan and have spent most of my life there. When I moved to the Detroit area after to work at Ogilvy & Mather, I immersed myself in Detroit culture. I went to every music festival in the city; I explored all of the art galleries and cultural areas of Detroit. I loved Detroit. However, many years before this, Detroit began to deteriorate - it never really recovered from the race riots of the late 1960s. But I was determined to bring Detroit back. I introduced people to the hidden gems of Detroit: MOCAD, The Heidelberg Project, 4731 Gallery and Studio, Pewabic Pottery, Cadieux Cafe and my favorite Dally in the Alley. Around this time is when I learned about the creative class and became involved in some of the urban revitalization groups in Detroit like CreateDetroit. The first CreateDetroit event I attended was called Connect Four, at this event I really began to understand how the creative class could use their creativity to make a positive impact.

After working at Ogilvy & Mather for over 3 years, I was ready for a new experience. It was a difficult decision, but I was ready to grow personally and professionally. It was not until I decided to focus my career on digital advertising that I found the opportunity at Modernista! in Boston as an Interactive Account Executive on the Cadillac. After I made the move to Boston is when I realized that I was part of the problem Richard Florida spoke about - The Flight of the Creative Class. I moved from a city that scored low on the creative class index for technology, talent and tolerance, to one that scored high in all areas. I wanted to be surrounded by other creative people in an environment that embraced creativity and inspired me. However, these things exist in Detroit. They exist in every city. You need to find them and embrace them. If they don't exist, create them. Use your creativity to make a difference and change the world. The current economic recession will change the way you view the world. This thought is evaluated in a Worldchanging post titled "Recession and Innovation."

"What legacy will this convergence of crises, both financial and environmental, leave on the psyches of today's young workers, students, artists and innovators? And what other solutions will emerge as intelligent messages of hope?"

We are all hoping for change, however the opportunity for greatness is up to us. When President Franklin D. Roosevelt founded the New Deal and initiated the Works Progress Administration (WPA) and Federal Art Project (FAP), creative people were invited to revitalize the country. President Barack Obama has brought hope to our country and inspired Americans to "reaffirm our enduring spirit." A ReadyMade article titled "Poster Children" analyzes the New Deal and how a similar idea could be translated to our current situation.

"Given the current economic meltdown, the 75th anniversary of the New Deal has particular resonance. How might the current government stem the tide of economic and psychological depression? Can artists and designers help in similar ways today? It’s curious that the WPA style has been reprised in the recent past as a quaint retro conceit, but today may be an opportune time for a brand-new graphic language—equal in impact to the original initiative, but decidedly different—to help rally the cause of hope and optimism."

However, we don't have to wait for a similar initiative to come. Creativity and big ideas are inside us now and it's the perfect time for change.


The Convergence of Cognitive Neuroscience and Marketing

When I moved to Boston over a year ago to work for Modernista! on the Cadillac account, I quickly put an ad on Craigslist to join a band. Throughout high school and college, I had been in a band, but took some time off to focus on my masters program at Michigan State University. To say the least, I was anxious to get back into music. Soon after joining my new band, I found out that all of my band members were neuroscientists at well-renowned universities - Boston College, Harvard and MIT. Frequently while waiting for shows to begin, we would sit together and debate our set list for the evening. The discussion would usually focus on music, but every so often neuroscience would become the topic of discussion. It was interesting to hear their thoughts and ideas on neuroscience, however I couldn't help but think how neuroscience could be applied to advertising.

Brand Image and Loyalty

A few years ago, I read an article in the New York Times that explained the convergence of cognitive neuroscience and marketing. Since then I have been very interested in how advertising and marketing affects culture and more specifically the brain. The NYTimes article that inspired my interest in neuromarketing was "There's a Sucker Born in Every Medial Prefrontal Cortex" by Clive Thompson. It announced the rise of neuroscientists and researchers applying their expertise to marketing. Instead of using the normal marketing research technique of surveys or focus groups to gain insight, they used MRI (magnetic resonance imaging) to analyze brain activity when exposed to different stimuli. The article predicted that marketers would soon have departments dedicated to neurology in order to reveal deeper insight into consumer behavior. Further, brain activity in specific areas of the brain could explain brand engagement. Historically, it was thought that the ventral putamen (the region of the brain that processes feelings of reward) could explain brand preference. However, more precisely, it is the medial prefrontal cortex that explains brand engagement. The medial prefrontal cortex would activate when individuals felt a connection with the brand or if it reflected their self-image. The study featured was the famous Pepsi/Coke Challenge.

Growing up in the '80s, I remember seeing many commercials about the famous Pepsi/Coke Challenge - an illustrative example of product comparison rooted in research. But what was interesting about this experiment was not necessarily the results, but the process. The initial results of the challenge were clear, Pepsi was the winner. Unaided brand preference was stronger for Pepsi than Coke. In fact, brain activity in the ventral putamen for Pepsi drinkers was "five times as active when drinking Pepsi than that of Coke fans when drinking Coke." However, consumers are exposed to an array of brand communications and true rational preference is often affected by one's emotions. To take this into consideration, the experiment was repeated. This time, the participants were informed which samples were Coke. The results were astonishing, almost all of the participants said that they preferred Coke.

"The brain activity of the subjects was now different. There was also activity in the medial prefrontal cortex, an area of the brain that scientists say governs high-level cognitive powers. Apparently, the subjects were meditating in a more sophisticated way on the taste of Coke, allowing memories and other impressions of the drink - in a word, its brand - to shape their preference."

Obviously, for advertising professionals this is very exciting - it provides evidence on the true impact of branding. Further, it's exciting to imagine the future of brand planning in this regard.

Brand Recognition

We are exposed to over 2 million advertising messages during our lifetime. This translates to 8 hours a day, 7 days a week, for 6 years. Consumers leverage selective perception to acknowledge the messages they find meaningful and important. When launching a new product, how do you ensure that your brand is recognized? According to neuroscientists, marketers need to capture consumers' attention at a subconscious level in order for their message to resonate with the consumer. This requires emotional branding that can affect the consumers rational preferences.

A brand that has truly captivated their target audience is Tiffany. That famous little blue box. Just the sight of the white ribbon wrapped around that blue box provokes so many emotions. The Tiffany logo is on the box, but not visible when the ribbon is on the box. The idea that the little blue box provokes so many emotions is best explained in an AdAge article titled "You May Love the Logo, but It's a Dying Breed" by Martin Lindstrom and a segment from the NPR program Talk of the Nation titled "The 'Buyology' Behind The Way We Shop" featuring Lindstrom as well.

In both the article and NPR segment, Lindstrom references Marlboro. Whether you are a smoker or not, you probably recognize the famous Marlboro man. This character created by the advertising agency, Leo Burnett in the '50s has become an iconic image. The same has become true for the brand's sponsorship of a red Ferrari in Europe's Formula One racing. Lindstrom was curious if "cigarette cravings could be triggered by images, such as the red Ferrari, that are tied to a brand of cigarette, but not explicitly linked to smoking?" Lindstrom found the answer to this question by using MRI and fMRI (functional magnetic resonance imaging). The brain scans revealed increased brain activity when exposed to cigarette packs as well as the Western imagery in a small region of the brain called the nucleus accumbens, which controls pleasures and addictions. However, the unbranded images (e.g. cowboy) activated more cravings among smokers than the branded images (e.g. cigarette packs). The same is true for the Coca-Cola bottle. Just the shape of the bottle may activate the nucleus accumbens in some individuals.

Essentially, through branding, these images have come to embody the essence of the brand. The little blue box, Coke bottle and cowboy, activate areas of the brain at a subconscious level, resulting in strong emotions and ultimately a desired behavioral reaction. Critics may call this subliminal advertising, however when a brand logo or symbol become recognizable at an iconic level, it may reach the consumer at an subconscious level, however the intention is not destructive, but a natural development of human psychology.

Brand Engagement

Apple's PC vs. Mac campaign has been very successful, not only at creating a strong point of differentiation between themselves and the competition, but also establishing a strong brand image by engaging the consumer. According to an AdAge article titled "Is the Ad a Success? The Brain Waves Tell All" by Stuart Elliott, after the winners of Cannes and the Effie Awards were announced in 2007, a neuromarketing firm measured the brain activity of participants when viewing the winning commercials. They measured biometrics of the brain waves, galvanic skin response, eye movements and pulse rates. The results found brand engagement as the differentiating factor.

"Fifteen of the 19 Cannes and Effie winners engaged consumers faster than average spots. Typically, a spot engages with viewers in 5 to 7 seconds. The Cannes and Effie ads engaged, whether emotionally or cognitively, in 1.5 seconds.”

This is very interesting considering that both awards recognize excellence in advertising on different attributes: Cannes recognizes creativity, while Effie recognizes effectiveness. Essentially, this tests emotional and cognitive advertising in the same manner and the result is that both methods are effective. But more importantly, it is brand engagement that defines success. For example, the Apple PC vs. Mac "Get a Mac" campaign won the Grand Effie at the 39th annual Effie Awards in 2007 and the Volkswagen "Safe Happens" campaign won the Gold Lion at Cannes in 2007. It's the cognitive reaction to the emotional moment that grabs the consumer.

The success of Apple's iPod branding is pervasive. It's impossible to walk downtown in any city and not see those white earbuds. However, from a holistic perspective, it's interesting to see how the Apple brand stimulates brain activity. In a segment from the NPR program "Weekend Edition," titled "Study: Apple Logo Stimulates the Brain," Duke researcher Gavan Fitzsimons, investigates what responses participants have to the Apple logo. In Fitzsimons' study,  participants were exposed to an Apple or IBM logo prior to completing a creativity test. The results showed that those exposed to the Apple logo scored 20-30% higher than those exposed to the IBM logo. Thus correlating creativity with Apple and competence, organization and professionalism with IBM. Therefore, consumers should surround themselves with brands that reflect their perceived or ideal self-image to help bring these attributes to fruition or even augment existing attributes. For brands, this means niche marketing and reaching those consumers that you want to embody your brand and opinion leaders that will help disseminate the brand image you desire.

Reach and Frequency

The question that has plagued media planners for years: What is the most effective method to communicate with consumers? This is of course dependent on the client and current market environment, however it often results in an integrated media plan and a balance of reach and frequency. However, what if you were able to determine the exact moment when it was best to communicate with your consumer? Or to communicate with your consumer at the exact frequency required to be the first brand in their consideration set? This question can be answered by applying a unique algorithm to each consumer. This is investigated in a Wired article titled "Want to Remember Everything You'll Ever Learn? Surrender to This Algorithm" by Gary Wolf. A man by the name of Piotr Wozniak, created a program called SuperMemo, which is designed around the notion that "there is an ideal moment to practice what you've learned" in order to have it ingrained in your memory.

"Practice too soon and you waste your time. Practice too late and you've forgotten the material and have to relearn it. The right time to practice is just at the moment you're about to forget. Unfortunately, this moment is different for every person and each bit of information. Imagine a pile of thousands of flash cards. Somewhere in this pile are the ones you should be practicing right now. Which are they?"

What if we were able to apply this concept to advertising? What if we communicated to each consumer exactly at the moment we needed to? After reading this article, I wanted to purchase SuperMemo immediately. I wanted a version integrated into my iGoogle so that it could be tailored to my lifestyle and the subjects I want to learn more about. This is when I realized the power of applications and widgets. If you created a widget for your brand with relevant information the consumer would want and applied this method, you could reach them at the exact moment when influence was needed. Of course this is almost impossible because this is the ultimate opt-in communication for consumers, but what if? The key is relevancy. Providing information the consumer truly desires and that in a convenient manner.

Advertising: Art or Science?

Will the convergence of neuroscience and marketing force our industry to become a science? And more importantly, should it? Is advertising an art or a science? My personal belief is that advertising is a balance of art and science. However, I tend to lean more toward the idea of emotional branding and engagement branding. This is best explained in Marc Gobé's book, Emotional Branding:

“The future of branding is listening carefully to people in order to be able to connect powerfully with them by bringing pleasurable, life-enhancing solutions to their world. In the future, traditional companies will not be able to rely on their brand history or dominance in classical distributions stems, they will have to focus on providing brands with a powerful emotional content."

Creating a unique connection with your consumer and fostering that relationship with relevant information and solutions should be the basis for your marketing communications. Then, with the help of art and science, you can augment the brand experience via consumer insight, strategic planning, creativity and continually optimizing the work.